Posts Tagged ‘studio photography’

October was yet again another busy month for us running around the country covering events. Any spare days were filled with more equestrian competition which simply left us with no weekend days free at all. It still amazes me how many people were trying to book us for events only 10 days or so before they took place. It goes to show how much people don’t think about photography or having the event covered until the last minute.

I am always polite in my replies and suggest that once any future event has a date confirmed, that they contact us promptly for a potential booking. One request was even for a wedding which either meant an extremely late booking, their booked photographer had blown them out or a distinct lack of organisation. I was surprised by their reaction that we were unable to cover it for them owing to being booked. They were very disappointed by all accounts ……. go figure lol.

So firstly we covered the Trampoline & DMT League Series 4 at Gillingham. This was the final time that any competitor could secure points and claim a slot in the finals at the Velodrome in December. The weekend was manic to put it bluntly. Over the two days the entry card was massive, as was expected. From 9am to 6pm both days we were shooting constantly with a total image count of just over 13,000 images in total. This was almost the same count as with the 2016 finals and yet only a qualifier. We did ok on the sales, as usual, and it took me almost 4 full days to edit and upload the images.

Below is the Facebook & Twitter promo image I pit out into the public domain. The League themselves had been very lacklustre in promoting the event so I took it upon myself to remind people that photo’s could be purchased from the event.

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Our second big weekend of the month was covering the English Regional Cup (Trampoline, DMT & Tumbling) Finals at the EIS in Sheffield. A first for us with this particular series which we were offered due to a competitor continually not turning up or providing poor quality service when they did. Our whole business has been grown on word of mouth about our excellent product and customer service. We never promise what we cannot deliver and so things are easily achieved. Why some photographers seem to offer the earth, when clearly they are unable to deliver, eludes me. All this does is impact on your reputation, as a business and as individuals. Thankfully though our honest approach has seen us taking events and regular commissions from individuals who have failed to deliver the promised product. Thanks people.

The finals were busy, as expected, and we had an excellent weekend covering it all. With the finals being structured a lower count of only 8000 images were taken. Plenty of competitors knew us from our coverage of other events, which made things a little easier, though the running order was a little skewed. This meant that our lunches were somewhat rushed, though if that’s all I can recall as being negative, you can see why we have agreed to cover the 2018 series in full.

Below is the Facebook & Twitter gallery notification image.

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Our montage being used by British Gymnastics – Montage

Our third full weekend of the month saw us back at Wigan for the North West Trampolining Championships. Our fourth year of covering this meant we knew exactly what was coming, what was expected and how to deliver. The weekend was busy, fun and most of all a success for the organisers with no complaints or dramas. Again we have been fully booked to cover the 2018 North West Series so a fifth consecutive year for this particular series. It is great that many of the coaches, some of the kids and many of the parent now know our names. We have regular purchasers of products along with the new competitors looking for a quality memento of their day.

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As previously mentioned the remaining weekend and a few odd weekdays were filled with equestrian competition over at Manor Grange Stud & Show Centre. Summer was certainly over now and back to the large coat and warm hat for standing outside for several hours at a time. To be fair if the weather stays dry the day is bearable. If however things get all rainy and wet then the job is a real pain and no fun.

The lovely colour that the summer sun gives outdoor images is also fading so things look a little flat, other than if we are blessed with a sunny day.

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Our final job of the month was to cover the Leeds Trampoline Club’s annual awards night in Leeds. Again we have done this before and so know what to expect and what is indeed expected of us. We capture all of the awards and then have the portable studio (white wall) in place for additional family photo’s and fun images. Finished by 10pm, as most of the kids are tired, I enjoy the evening with the proud parents and huge smiles from those kids who win awards all on show.

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November next.

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2017 started off with a whole host of new bookings within the gymnastics event coverage. Building on the success and increased work of 2016 we had been booked to cover a whole host of UK gymnastic qualifying events throughout the North of England. Whilst at the same time last year we were taking stock of the year ahead, assessing our existing and planning new equipment we were planning hotels and travel for the January event bookings.

Now let’s be honest here in that we all want to be busy, all year, and this year we have indeed almost reached saturation point for weekend bookings. There are literally a couple we have free in July/August though I’m expecting those to probably go with our new line of event coverage.

Whilst being busy all of the time is indeed nice and rewarding it does cause an issue for some basic requirements such as servicing equipment. Items such as the die sublimation printer should be serviced every 2 years and ours has now slipped into its third year owing to this quick start of business. Our servicing centre wanted 2 weeks for turnaround and with them being closed for the whole xmas period this was just not tenable. Reading the forums though this shouldn’t be a cause of concern for up to 5 years. I just hope the stories of longevity and robust build quality also apply to our printer which I will give a big cuddle before each event.

Both of our Canon 5Diii’s have now exceeded 100,000 actuations with one now over 160,000 actuations. The cash to replace or repair them sits patiently in an account as I’m not just purchasing against a what if scenario. We know the higher shutter count body is the main issue having exceeded the 150,000 manufacturers guarantee yet I know of 5Diii bodies well in excess of 200,000 clicks and still going strong for fellow event photographers. Spending oodles of cash, on a “what if” policy, to simply have the latest bodies is not my style. Indeed I could replace the current 5D’s with brand new 5D’s & grips for less than a single 1Dxii after the recent price drops. This will be explored when the inevitable happens and I see how deep my pockets are yet how short my arms seem to have become.

The only new piece of equipment, so far this year, has been the acquisition of a new Mac Book Pro to replace the windows laptop which was simply pathetic at handling large amounts of RAW files. This gives us two MBP’s for events which are now making the whole desk workflow system work superbly. I’m certainly not going to slag off the windows laptop as I’m sure it will have uses for some but as a large RAW file handling machine and Photoshop processing tool it just didn’t cut the mustard for us.

So I really ought to mention our new avenue of work which we have been signed up to cover. This opportunity arose, as almost always, through a recommendation from an existing customer. The world of all things equestrian was requiring a local photographer to cover some regional competition work and would we be interested. To cut a long story short we applied, exchanged business details/models, discussed expectations and agreed to a one year trial contract. It was a great decision, business is brisk and being published in national horsey magazines certainly doesn’t harm our reputation. More on this in a future blog.

The image I will leave you with today comes from the studio. Yes we still have the studio going between all the weekend event work, not as busy as I would like it to be but then we have never promoted it and just rely on word of mouth.

This lovely young lady just had the most beautiful eyes and amazingly didn’t require oodles of bribery from her parents to look into the camera.

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The following image is one of a series that I have undertaken with a very lovely young lady who has participated in several ideas I have had over the last few years.

The idea of body painting someone in either a single colour or multi colours is certainly nothing new yet something I would recommend to any photographer who has the time, a studio and a willing model. The whole experience is something different to the usual humdrum high key imagery normally produced in the studio. With the right people involved you can also have a jolly good laugh as we both did on this occasion.

The model is simply painted in silver dust mixed with body oil. This allows the dust to spread easier whilst giving it a shimmering almost alive look. We had sampled just applying the dust in its raw form yet I believed, and the model agreed, that it looked somewhat dull in comparison to the liquid version. When I say painted the silver was literally applied with a 1″ paint brush from the pot in which it was mixed. Nothing fancy about that at all.

There was nothing outstanding about the shoot and things progressed as with any other shoot trying out different lighting and poses. A whole series of different image styles and poses were accomplished however I will keep the imagery appropriate for all to appreciate whilst retaining the dignity of the model on such a public forum.

The gold liquid was added towards the close of the shoot to simply add a different dimension within the colours. This almost made it look as if she was either melting or indeed oozing the gold from her mouth which we both agreed was a quality look.

With the ‘melting’ idea firmly afloat I added the flame effects in Photoshop to create a set of finished images the model was extremely pleased with. All in all it was a most satisfactory finish to what had initially been a “what if?” idea.

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The end of August saw the studio turned into what looked like and explosion at a cake factory. A young lads first birthday was celebrated with a cake smash shoot for his family. He however  wasn’t too impressed with whole thing and simply kicked off regardless of what the parents tried to appease him with.

Mum and Dad however were in a superb jovial mood and made the most of the time available having what could only be described as a personal cake fight. I just sat there capturing it all having a jolly good laugh as it happened.

Experience has taught me that covering the floor with one of the clear plastic dust sheets, readily available at most DIY stores makes tidying up so much easier. Simply tape it down and once everyone has left drag it all up carefully into a large bin bag before disposing. Leaves the studio floor almost spotless other than where cake got through the odd minor tear created during the shenanigans.

Usual equipment used as for any high key shoot with just some plastic coverings over the electrical and vulnerable items for protection.

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With all my editing up to date, all clients in receipt of their products and galleries available to view I had nothing to do this week. Thus with the shopping complete and the house tidied I ventured into the studio to try something new.

The something new was high speed photography with water and balloons. My plan was to complete this without any technical aid such as a ‘Triggertrap’ device or similar.

The shoot was completed using cheap balloons from the local supermarket, a single Canon 600ex-rt and a 5Diii on a tripod. The balloons were hung, via string, from the hooks used with adult shoots against a black background.

I had tried this with a Bowens 750pro at minimum power so allegedly flashing at 1/2300th Sec. Whilst it worked to a certain degree I preferred the finish from the speed light firing at an alleged setting of 1/2500th sec. Without getting too technical about light speed being more important than shutter speed etc this is something I will work on further when I next have a free week to mess about.

The balloon was popped via a sewing pin sellotaped to a BBQ skewer. This negated any removal of an intrusional hand holding the pin.

The hit rate was roughly 1 in 2 or 50% in capturing a ‘good’ image of the balloon bursting. Some were missed completely, in that fraction of a second, whilst some were almost devoid of water owing to late capture.

Two images from the shoot are below. This first is from a round balloon that can bee seen with the shape of the water whilst the sausage shaped balloons left water almost looking like a bottle made of water which was quite fun. This can be seen in the second image.

One good tip is lining the floor of the studio and having a good sturdy mop to hand.

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Image 2

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The bride from a recent wedding requested if I could do something special with her and the bridesmaids flowers after the big day. She was after something which could be used as wall art and be personal in a very unique way.

I simply arranged & placed the flowers together so as to be aesthetically pleasing and then, to truly personalise the image, placed the bride & grooms wedding rings onto one of the flower cups.

A very simple idea which took longer to get the flowers correctly arranged than it did to actually photograph them.

They absolutely loved the finished image.

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