Posts Tagged ‘sport’

Firstly I would like to state that all images on this blog are copyright to Cecil Paul Studio’s and we do not give any permission for any individual or company to copy, transfer, alter or amend any image in any known or unknown format without permission. Don’t be a digital thief and pay for the image if you like it that much!!

The above statement comes after one particular radio station robbed an image from here and used it for a promotion. Unbelievably another radio station then robbed that copy for their own radio promotion. The music industry complains about kids downloading songs for free and yet they are thieving when it suits them. Double standards at work which doesn’t surprise me in the slightest.

So onto September –

Things kicked off for us on the first weekend with the third series of the National Trampoline & DMT League, held at Birmingham University. This was a superb venue and being almost new gave us possibly the best balanced lighting of any event this year so far. When you can have your speed with a nice low iso its almost xmas as a photographer and this place delivered in swathes of light.

The weekend as a whole was manic as expected with some 600+ competitors over the two days. We were constantly busy and without barely time to visit the loo for most of both days. The evening meal and a few cold ones, on the Saturday evening, to wash it all down makes things worthwhile though and helps us get a nice nights sleep.

We took some 8500 images in total and had our usual excellent response to the quality of our image and montage offerings over the weekend. Sadly the organisers hadn’t produced the promised event program and so, with no advert, all things regarding our gallery codes went out of the window which had a knock on effect to the subsequent online sales. You’d think they would learn from this, as we were not the only disappointed sponsor, yet you’ll see in Octobers roundup they never. Incompetence at the highest level.

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One thing can always be said for the competitors though is they have a good laugh when there and will happily pose for images such as this one below.

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Our equestrian coverage also continued with several dressage events over the month, one of which was our own business dedicated event. This was a lovely day not only with the quality of competition shown but we had our own branded rosettes. Manor Grange Stud had commissioned a whole series of garlands and rosettes with our name and logo on which was absolutely lovely to see.

The other equestrian events were, as usual, slick and with no messing about. Thankfully the weather held out and so there were no monsoon days where I end up hiding under the main building canopy to shoot from. Our business from these events continues to grow at a steady rate and thus I believe we will chose to continue providing coverage into 2018 and possibly beyond.

These galleries remain our only open event galleries and can be found here – Equestrian Galleries

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Gymnastics also played a key part in September with two competition weekends hosted by Bridlington Gymnastics. This is proper grass roots stuff and we love it. No big arenas, no ego’s, just lots of enthusiastic kids and parents doing what they do. The competitors start around 4-5 years up to the seniors around the 16-17 age group. We are well looked after by the hosts and have a fantastic rapport with both the organisers, adults and kids alike. We are already booked for the 2018 events and look forward to them as its just a fun set of weekends.

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Back in July this year I did a bit of work with the band Wayward Sons when I covered their first ever live gig down in Bristol. This had come about from my involvement with their promotional videos for the new album which can all be read about in an earlier post.

September saw them out supporting UFO on their 2017 UK Tour. One particular date, the 15th, was also the official release date for the album. Thinking it would be a good idea to capture that night I emailed Toby and he said thanks, yes, pop along and do your thing. The night was superb and in my personal opinion the Sons were head and shoulders above UFO in musical deliver and enthusiasm. The crowd were bouncing along to the music, which noticeably stopped once UFO had taken to the stage. The UFO set was slick and polished though I feel lacked a raw feel. I could honestly say that you could have listened to this on the radio as visually and engagement wise things were seriously lacking. To put it into context I was sat uploading and editing my images in the main hall area whilst they were on. Looked up a few times just to make sure things were still going when the music stopped.

On a working basis the Picturedome at Holmfirth is not actually too bad to work in. Yes it is compact though the fans are all stood on a sloping floor leading upend away from the stage. Tis allowed me to move up and down and simply shoot over the top of those in front of me. Non of the usual clamouring about to secure a gap between heads and phones which is nice. Setting were mediocre as though the lighting operator did give some light it wasn’t nearly as much as that given to the headline act. Thank the lord for full frame cameras and f2.8 lenses.

The night finished, I had a good chat with the band and then it was away home, still damp from sweating in the pit for a nice warm shower and bed.

The images from this event are behind a secured gallery and only for the band to see. Images from the gig will be released as and when they see fit which is sad in a way as I like to see my images out there in the wild. To stop any thieving radio stations or any other publications grabbing images of the band you’ll just have to put up with this montage again. Shame how people spoil things for others.

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The month was topped off with a visit to City Of Leeds Trampolining & Gymnastics to undertake a specific shoot of gymnasts who had qualified for a host of national and international competitions. With all new leotards the head coach wanted a series of portrait images taking to help promote the club within the Yorkshire region.

The whole thing took around 4hrs to complete and with a happy head coach, general coaches, kids and parents I headed home.

That was not quite the end though regarding this as we are returning in January to film a whole series of short films about the club, their offerings and what kids can expect to be doing if they join the club. Really looking forward to that.

This image was a fun pic taken after all the kids had individually paraded in each of their leotards for their portrait to be taken. I know from my school photo experiences this isn’t fun so when the coach suggested a pic in the foam pit, we ended up with this.

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I’ll try not to leave things too long before blogging our October exploits.

 

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Sunday saw us booked to cover a regional qualifying round for the British Riding Clubs UK Championships. Winners and, I believe, certain others would be qualifying for the National finals in a few weeks which is quite some achievement when you consider what they have to do on a horse.

Horse jumping has always intrigued me, especially those jumps where the height simply doesn’t appear achievable, yet the horse somehow gets over without knocking off the poles. So, as a non rider myself, the fact that people can actually make a horse complete any number of manoeuvres, which include almost dancing, to me, is exceptional. I know full well that many hundreds of hours go into practicing and training so when something goes wrong even I tend to be a little disappointed for the rider. Equestrian riding is almost an art with the subtle ways in which they guide and instruct the horse. There are no verbal commands just fine control of the reigns, stirrups and seating position of the riders. There may be more and I’m happy to be corrected if there are.

So take the difficulty of equestrian competition and place a twist into the mix, with the twist being two horses doing the same routine at the same time. Oh yes and with a maximum of 20% of the allotted time spent apart with the other 80% of the routine side by side, around the arena.

I saw this “Pairs” riding for the first time on Sunday and was totally impressed with the four groups of competitors who took part in their respective groups. The look of concentration was clear for all to see on their faces throughout the routines, with the elation of finishing what they obviously knew was a solid routine visible too.

As a photographer this was no different to any other equestrian event I shoot with just one exception, capturing the 2 horses in complete harmony and literally mirroring each other step for step. Now that sounds easy yet I assure you it isn’t. This actually happens only a few times in any routine owing to all the turning and change of step etc. Ideally, so one pair told me, they have 2 horses of the same size etc etc. As this is not too easy to find at club level you tend to get one horse which is slightly bigger than the other. This is like having one tall human walk alongside a smaller human and expected to walk stride for stride for 8 minutes. It rarely happens but thats the image they want capturing.

Knowing my strides and turns I was able to second guess when the pairs were likely to come together in that perfect harmony moment. Even then only two of the four actually achieved this whilst travelling in a direction that gave a suitable image. Standing and watching this happen as they trotted away down the arena, away from you with bums and backs onshore, is rather demoralising. In those instances you simply capture what you can from the opportunities given when they are correctly positioned in their line of travel.

The day for us was great with the lovely weather and a few cool drinks to boot. With many of the competitors asking about images we also hoped for a good response with the galleries which I am pleased to say has actually been superb. We have also received several messages complimenting the quality of our images.

I know, from a riding friend, that a lot of the local clubs either use someone they know i.e. a rider or parent for photography, with some clubs having serious amateur or even alleged professionals shooting them. Now I am not here to slag anyone off so I will just say that a lot of these  images tend to be somewhat lacking in technical ability.

On Sunday and ,as an example of this, we had a very ice lady who came to stand near us to photograph several different horses, all from one club. She quite openly declared herself as the club photographer, for those horses, and was most impressed with our setup and the way we conducted ourselves. After the first horse she captured, someone came over and asked her to turn the camera flash off. She had a Canon DSLR, with pop up flash, the camera set to auto and was just clicking away happily with the flash trying to doing its thing against the sun. She asked for some advice and I suggested changing the settings to either TV or AV and adjusting those to shoot what she wanted. She admitted to having not much of a clue so I showed her two options that would improve the images shot and, more importantly, not require flash. Did she listen …. nope she went to the other end of the arena so the sun was more to the side of her. Oh well you try and help lol.

So the images we took. I’m going to keep this down to the usual couple of images I like to add at the end of a post.

If you would like to see the days images click here – Cecil Paul Studios Equestrian Galleries

Image One :

The one where it all comes together, just at the right time, right angles, riding positions and just togetherness. Riding like this for an 8 Minute routine is not easy.

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Image Two :

When you just know it was excellent. The elation at completing a quality equestrian pairs routine. I do believe these two ladies came first and thus through to the national finals.

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When not on a commissioned job, or working in the studio and I actually have a weekend free I like to take a look at local motor racing circuits and see whats on. Usually there’s nothing of interest happening or the wife has something organised for us. Last weekend however my Saturday was free, yes totally free and with the VMCC holding one of their racing events at my local circuit Cadwell Park I was on my way.

I love Cadwell Park as the place is quite simply a superb circuit, non of the flat round and round places that are all too common these days. Full of hills and sweeping bends with the infamous mountain it ticks all the boxes for spectators and photographers alike. The VMCC events are totally open so you can have a good, unrestricted wander around looking at the machinery on show. The facilities are good, there’s always a burger van there for lunch and coffee which is reasonably priced and finally the toilets are clean and functional. There is a hospitality building, if that’s your Raceday thing, excellent access to a good 80% of the racing with just one small strip inaccessible. Official photography is exclusive to one chap, which I find odd for such a big place. Access to the prime spots is therefore a non starter, though there are plenty of places you can stand if the crowds aren’t too big. A nice 200-400 zoom or fixed 400mm 2.8 would create an even keel though as you could reach across to achieve those angles. Justifying the £8k spend to the wife would be a tad difficult though lol.

I enjoy this racing for two reasons. Firstly I rode motorbikes in my youth having range of Yamaha’s from 350cc through to 750cc over several years. Fabulous carefree times where the adrenaline rush of twisting a throttle and being catapulted down the road made my youthful brain buzz. Living in Germany for three years and having speed limit free autobahns made fun for modding the latter, bigger engined machines, and in the early 90’s and quieter roads having an absolute hoot out there. Secondly I love capturing motorsport and movement. Motorsport, like gymnastics, needs to have a perspective of movement. All of the top publications will show on track imagery with a sense of movement. This will be within the tires and spokes of the vehicles as nothing else really moves. A adjusting settings to continually provide this effect, coupled with some clever planning helps produce some lovely imagery. Doing this consistently to provide a gallery of the days events takes some skill. I see many online images that are simply awful in tat the bike has been shot at such a high speed it simply looks stationary. Not ideal when trying to provide that sense of movement.

I was actually approached by a group of men, from a local amateur photography club, who stated they were struggling with aperture speeds around the 1/1000th of a second. They had recognised my “Gear” and labelled me either Semi Pro or Pro so popped over for a chat. Lovely blokes, well mannered and respected the fact I was cracking on capturing the racing. In short they where simply after the fastest shutter speed they could grab to freeze the action. They almost had a seizure when I showed them a shutter speed under 1/250th sec. To put it simply they tried it, failed at the panning and surprisingly went back to high shutter speed, high ISO’s and medium apertures of F4+. Using stock kit lenses didn’t help their cause on flexibility but with the day being clear and bright they could easily capture imagery like mine with a bit of effort. Even under 1/250th and an ISO 100 gave me apertures of between f.35 – f11 through the day. Anyway they stayed at their super speed options as I came across them again when I moved to the chicane. Blasting away on high speed shutter with high speed apertures and ISO’s it was like they were shooting some rare, single moment, wildlife rather than repetitive circuit racing. Oh well.

All in all I had a fabulous day. The smell of 2 stroke oil in the air, rasping engines all blessed with some bright dry weather made things great. From traditional motorcycles to scooters, sidecars and the odd rare one off’s that survive into today an excellent day out for any petrolhead. A plus point, for me anyway, being that a few riders came to me for business cards made things worthwhile.

A couple of images from the day now follow. To see the entire days images see here 2017 VMCC Cadwell Park

A Norton, I believe..

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These sidecar guys are brave or a little unhinged or potentially both.

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A BSA Bantam in full flow.

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Equipment wise all images were captured using a Canon 5Diii with Canon 70-200mm IS ii zoom. Settings varied owing to location and light available but nothing shot over 1/250th sec thus portraying the speed involved.

Oh for one of those magic Media Passes to reach the prime shooting points 😂

So January saw yet another new venture for us at the Manor Grange Stud & Show Centre in Yorkshire. As previously mentioned we were put onto the availability of a photographers position by someone who we knew through regional gymnastics. I will be perfectly honest in that word of mouth and existing customer recommendations have been the most beneficial component to our business growth over the last few years and this was no exception.

A random comment on an equestrian thread which mentioned us, followed by a couple of emails and we find ourselves invited to try things out. We made no excuses to the management that this was a filler job, to our main event work, and as such we would not be able to cover every event. With this in mind they initially took on a second company, though sadly this didn’t work out owing to the rather irrational outlook they had on event photography.

Quite simply event photography is totally hit and miss on sales. You can cover an event one week, take a serious four figure amount with little effort, to barely covering your costs at a similar event the following week. I think the other company simply saw the cost of keeping horses etc and thought that this would transfer into a weekly cash bonanza for them. As a product example they offered a 20×16 framed portrait print of your horse for £600. Yes a whopping £600 for a portrait image framed print. Now I won’t go into markups and profit here yet with our associated costs, for a similar product, I can only see that price as obscene and attempting to take advantage. Oddly they never sold any and found this odd …….. go figure. When the cash didn’t begin flowing weekly they began pressuring the management for the bigger events and trying to squeeze us out. Thankfully the management refused to budge and so the other company bailed on them leaving us a sole photographers. The management subsequently decided to keep us as the primary business and invite random guest photographers in when we are busy. This is certainly working, things are settled & people are happy so we hope it continues without interference. Sales vary at every event and no two are the same even with similar entry numbers.

We are now six months into the contract, things are going just fine for us and the management are happy too. We have developed our imagery with multi image montage options that differ from the gymnastics montages. The equestrian customer prefers soft blending of images and no particular text, other than the location. As a business you listen, tailor and develop your product until people are happy. We have done this and sell quite a few of the montages per month.

An example of a montage –

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At manor we cover two styles of equestrian competition which are dressage and jumping.

Dressage is, when it all goes to plan, a wonderful demonstration of harmony between horse and rider. From the basic entry level tests, for beginners, to the advanced where the horses even complete the routine to music is something to see. As someone who has never even sat on a horse I respect every rider out there for the hard work and dedication to just reach these regional rounds.

When it’s all going nicely –

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And when things require that exceptional extra control –

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Surprisingly I have captured several of these rear-up moments which can appear a little scary at the time. The riders I have subsequently spoken to all seem to laugh it off with the lady above almost resigned to this happening as her horse had been ‘flitty’ all day, as she put it. Well I for one am still impressed at their control of such a situation.

The jumping side of things is far simpler than the dressage side. Dressage riders like the horse to look all flowing and majestic, which can be difficult to capture, whereas the jumpers are simply that, jumpers who like to see them and their horse coming over a jump. A slight angle is normally preferred to show the horse in its fullest so the only real thing we can’t guarantee is the weather. When it rains this particular eventing is awful to cover. Standing in the middle of the arena, wrapped up in waterproof clothing all day, shooting through a steady downpour is no fun. Thank the lord for Canon’s Pro sealed weather sealed cameras and lenses.

A typical jump image –

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We have had several of our images published too. Publications Horse & Hound, Equestrian Life & British Dressage all help spread the word that we are out there. Will the call from a major event organiser or publication come asking us to cover a major ever come. Well I never thought I would have been booked to cover gymnastics finals at the Olympic Park, this year, for the third year running so anything is possible.

Horse & Hound –

I have blurred out imagery which is not mine.

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Equestrian Life –

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The next six months sees us filling all of our gap days on weekends along with some steady weekday work also from this venture. We have made some new friends, gained a whole new customer base and hopefully something that will grow as the gymnastics has over the years.

Until next time ……

The year certainly kicked off in style and other than the first weekend we were booked for all subsequent weekends. Year on year this was a large increase as have been the bookings for the entirety of 2017. We either have odd days on a weekend spare or no space at all until the second week in December. Word of mouth has seen us be snapped up over several regions and now with the equestrian work a weekend off will be rare. We have however reached agreement that for 2 weeks in August I will not take any bookings and leave 2 weeks empty as agreed in 2016.

The middle two weekends were both gymnastics with the North West BSGA Zonal Qualifiers followed by the North West NDP Individual & team qualifiers. Both huge weekends for not only ourselves but those involved I would say some 800-1000 competitors were involved over each weekend. A massive undertaking for both organisers and ourselves which I am pleased to say ran smoothly for both sides.

We now offer some new versions of our popular event montages which have gone down well. Maintaining prices at £10-£25 depending on how many images are chosen we have simply mixed the orientation of imagery that can be selected. This has allowed imagery such as team photo’s that tend to be landscape in orientation to be mixed with action images that tend to be in portrait orientation. Further options are currently being trialled for offerings.

January ended up being our busiest January for the last five years. It also yielded the highest take and subsequent conversion to profit too. With repeat bookings for next January we can hopefully rely on a good start to 2018 also.

This blogs image is a triple montage from one of the gymnastics events.

Jan 17

 

2017 started off with a whole host of new bookings within the gymnastics event coverage. Building on the success and increased work of 2016 we had been booked to cover a whole host of UK gymnastic qualifying events throughout the North of England. Whilst at the same time last year we were taking stock of the year ahead, assessing our existing and planning new equipment we were planning hotels and travel for the January event bookings.

Now let’s be honest here in that we all want to be busy, all year, and this year we have indeed almost reached saturation point for weekend bookings. There are literally a couple we have free in July/August though I’m expecting those to probably go with our new line of event coverage.

Whilst being busy all of the time is indeed nice and rewarding it does cause an issue for some basic requirements such as servicing equipment. Items such as the die sublimation printer should be serviced every 2 years and ours has now slipped into its third year owing to this quick start of business. Our servicing centre wanted 2 weeks for turnaround and with them being closed for the whole xmas period this was just not tenable. Reading the forums though this shouldn’t be a cause of concern for up to 5 years. I just hope the stories of longevity and robust build quality also apply to our printer which I will give a big cuddle before each event.

Both of our Canon 5Diii’s have now exceeded 100,000 actuations with one now over 160,000 actuations. The cash to replace or repair them sits patiently in an account as I’m not just purchasing against a what if scenario. We know the higher shutter count body is the main issue having exceeded the 150,000 manufacturers guarantee yet I know of 5Diii bodies well in excess of 200,000 clicks and still going strong for fellow event photographers. Spending oodles of cash, on a “what if” policy, to simply have the latest bodies is not my style. Indeed I could replace the current 5D’s with brand new 5D’s & grips for less than a single 1Dxii after the recent price drops. This will be explored when the inevitable happens and I see how deep my pockets are yet how short my arms seem to have become.

The only new piece of equipment, so far this year, has been the acquisition of a new Mac Book Pro to replace the windows laptop which was simply pathetic at handling large amounts of RAW files. This gives us two MBP’s for events which are now making the whole desk workflow system work superbly. I’m certainly not going to slag off the windows laptop as I’m sure it will have uses for some but as a large RAW file handling machine and Photoshop processing tool it just didn’t cut the mustard for us.

So I really ought to mention our new avenue of work which we have been signed up to cover. This opportunity arose, as almost always, through a recommendation from an existing customer. The world of all things equestrian was requiring a local photographer to cover some regional competition work and would we be interested. To cut a long story short we applied, exchanged business details/models, discussed expectations and agreed to a one year trial contract. It was a great decision, business is brisk and being published in national horsey magazines certainly doesn’t harm our reputation. More on this in a future blog.

The image I will leave you with today comes from the studio. Yes we still have the studio going between all the weekend event work, not as busy as I would like it to be but then we have never promoted it and just rely on word of mouth.

This lovely young lady just had the most beautiful eyes and amazingly didn’t require oodles of bribery from her parents to look into the camera.

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New up were the NW Championships held at Wigan’s Robin Park Arena. The Arena and indeed the centre as a whole is superb with some excellent facilities.

It’s only downfall for us is the dismal lighting afforded in the the main hall. Rows of old failing strip lights adorn the ceiling with many having long since expired from this life whilst others make last ditch attempts at lighting the floor like distant stars burning out never to be seen again. We have made enquiries as to if the lighting is on the agenda to be changed yet sadly, as with most things council run, until we are basically holding competitions by candle light there is no plan or indeed funding to replace these lights.

An easy comparison as to how poor the lighting has got is to compare it to a more updated lighting hall. An example of this is in Hull and having recently had a complete lighting change to new strip lights allows us a shutter speed of 1/500th sec at f2.8 and a very credible indoor ISO of 1000. This allows us to capture all the action with lovely stills and quality exposures which require very little in their post event processing. To compare we are pushing the limits at Robin Park with a reduced shutter speed of 1/400th sec at f.28 yet a whopping ISO of 5000. Now I won’t begin on how increasing ISO and reducing shutter speed affects exposure values and stops of light etc as I will assume most of you know. With that knowledge you will understand that we are thus pushing boundaries with the quality of printing. Yes things can be modified and “improved” in Photoshop but it’s always nice to simply take a correctly exposed image, at quality settings which require little doing to them. Post production requires constant white balance corrections dependant on where in the hall we shoot from owing to the vast difference in lighting quality across this single ceiling of light.

The event as always was a roaring success for all involved, with the added bonus of Olympic Trampoline Silver Medallist Bryony Page turning up to talk with the competitors and also present some of the medals at the close of the event. To be fair she was an absolute star even though the onslaught of kids wanting a signature or selfie with her was relentless. I’ve seen some so called stars who can be quite off with hoards of kids yet Bryony simply soaked it all up like a true professional. Nothing was too much and it took her being rescued by one of the organisers to give her a break from it all.

Some 400+ competitors and the associated swathes of parents and family there to watch made for an excellent day.

For us it was another 5500 images, a queue long after the event had finished and home for 2130hrs.

The image below shows the afternoon medal winners with Bryony and the bouquet of flowers she was presented with. The full image was somewhat larger and included all the judges for the day.

NW Champs

This is something that I knocked together for the BSGA Schools Trampoline series and to advertise that we were covering the Northern Zonals along with the upcoming finals.

The young lady in the leotard is my daughter. The image of her in that pose was taken in the studio and then simply photoshopped onto the swirling galaxy image. Taken with her sat on a black sheet and with a black background the removal was easy to accomplish. With a couple of star burst or lens flares added to strategic places the image was good to go.

I could have taken far more care over this yet as it was only going online to social media and not being printed out I felt that the time making things perfect was not justified. Issues with the hair, feet etc could have been sorted to look a little more convincing but for something such as this is there a need?

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The beginning of October saw us covering the third and final Kingston League trampoline  event in East Yorkshire.

This is a typical localised event which garners around the 150 entrants mark for a days competition. As with all local events this gives the newcomers a chance on the big stage in front of their peers and those more used to competition a chance to battle for honours against just team or school mates.

This event has been held at a local school for the last two years sine Hull City banished all the local amateur clubs from the Arena. In some ways this was indeed detrimental owing to the smaller space and subsequent lack of seating. For us however it was actually an improvement. Quite simply the lighting is superb, new and ever so bright. If every indoor event location we worked at had this amount of lumens emanating from the roof lights we would be happy people. Shooting at our usual hight shutter speeds we are using low iso’s that are simply unattainable at even so called prestigious locations such as the Velodrome in London.

All in all a low key event but great fun to be had by all involved.

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September saw the 4th round of the Uk Trampoline / DMT League take place in Newcastle. These events are huge and extremely demanding for us not only as a business yet also on a personal level.

The weekend starts a few days before with the preparation of online galleries being set up correctly and with coordinated passwords for guest access. Equipment checks follow with essentials such as all batteries receiving a last top up charge to ensure we at least have power. We drain at least 4 of the Canon LP-E6N’s each day depending on usage. Usage obviously varies depending on the amount of competitors which dictates how many clicks are required per day.

We aim to capture at least one present to the judges followed by as many of the 10 subsequent moves as possible or look good and then the final present at the end of the routine to the judges. This can provide a maximum of 12 images per competitor. Consider that every competitor does 2 routines and it becomes obvious that with a minimum of 400 competitors at an event we easily reach 10,000 images when podium images are included. Earlier in the year at Cardiff there were 800 competitors over the 2 days and we came away with some 15,000 images to process.

The weekend starts with a drive to the host city on the Friday evening where we have a pre-booked hotel for the 2 nights. If there is time we visit the venue and start our setup if possible. This saves us a little time on the Saturday morning yet as we have been doing this some time now we can set the desk up in some 10 minutes from bare tables to fully functioning sales desks.

The weekend then just steam rolls along taking us along with it. Photographers almost hold the 4.5kg of camera & lens to our faces for 9hrs straight. This can be extended if delays are incurred by competitors crashing out and requiring medical assistance. This has a massive effect on your arms and back which can start to stiffen by lunchtime. The Sunday becomes a mind over matter exercise with the pain that just doesn’t go away. The desk is a continuous queue of people wanting to view, and hopefully purchase the images taken. As Sunday ends for the photographers the desk continues to run. It can, and has, run on for over 2hrs after an event has finished. Still with a queue of parents waiting, the venue almost cleared and up to a 4hr drive in front of us every potential purchase is important so we stay. We arrive home late on the Sunday night, sometimes gone midnight, and after unloading the van its bedtime.

Monday, Tuesday, Wednesday and sometimes even Thursday are then solid editing and uploading of images to the respective galleries.Whilst most people understand the process I can guarantee at least 2 emails are sent on the Sunday, whilst we are still shooting the ongoing competition, asking what they can’t yet see any images in the gallery. We even place a notice at the start of every gallery notifying visitors of the process and yet they still email. Sometimes you just wonder how some people cope with life.

Once Friday arrives its simply time to check everything again if we have work on that upcoming weekend too. We are working almost every weekend of 2017 with just a few free or deliberately crossed off because of birthdays or holidays etc. You have to be busy to survive yet sometimes you just wish things would stop or at least slow down.

This particular weekend produced a reasonable 10,100 images which were edited by the Wednesday. With just one more qualifier to go in a few weeks time it’ll soon be the finals down at the Velodrome in London and thats a big one.

The images are simply what we post on social media to announce when certain panels and beds have completed galleries, though the second one just goes to prove that the competitors can still have time to enjoy themselves too.

You can read all about the league here – Trampoline / DMT League

All serious but with smiles –

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Having a bit of fun too or in one case how not to bounce –

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