Posts Tagged ‘sport photography’

Firstly I would like to state that all images on this blog are copyright to Cecil Paul Studio’s and we do not give any permission for any individual or company to copy, transfer, alter or amend any image in any known or unknown format without permission. Don’t be a digital thief and pay for the image if you like it that much!!

The above statement comes after one particular radio station robbed an image from here and used it for a promotion. Unbelievably another radio station then robbed that copy for their own radio promotion. The music industry complains about kids downloading songs for free and yet they are thieving when it suits them. Double standards at work which doesn’t surprise me in the slightest.

So onto September –

Things kicked off for us on the first weekend with the third series of the National Trampoline & DMT League, held at Birmingham University. This was a superb venue and being almost new gave us possibly the best balanced lighting of any event this year so far. When you can have your speed with a nice low iso its almost xmas as a photographer and this place delivered in swathes of light.

The weekend as a whole was manic as expected with some 600+ competitors over the two days. We were constantly busy and without barely time to visit the loo for most of both days. The evening meal and a few cold ones, on the Saturday evening, to wash it all down makes things worthwhile though and helps us get a nice nights sleep.

We took some 8500 images in total and had our usual excellent response to the quality of our image and montage offerings over the weekend. Sadly the organisers hadn’t produced the promised event program and so, with no advert, all things regarding our gallery codes went out of the window which had a knock on effect to the subsequent online sales. You’d think they would learn from this, as we were not the only disappointed sponsor, yet you’ll see in Octobers roundup they never. Incompetence at the highest level.

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One thing can always be said for the competitors though is they have a good laugh when there and will happily pose for images such as this one below.

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Our equestrian coverage also continued with several dressage events over the month, one of which was our own business dedicated event. This was a lovely day not only with the quality of competition shown but we had our own branded rosettes. Manor Grange Stud had commissioned a whole series of garlands and rosettes with our name and logo on which was absolutely lovely to see.

The other equestrian events were, as usual, slick and with no messing about. Thankfully the weather held out and so there were no monsoon days where I end up hiding under the main building canopy to shoot from. Our business from these events continues to grow at a steady rate and thus I believe we will chose to continue providing coverage into 2018 and possibly beyond.

These galleries remain our only open event galleries and can be found here – Equestrian Galleries

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Gymnastics also played a key part in September with two competition weekends hosted by Bridlington Gymnastics. This is proper grass roots stuff and we love it. No big arenas, no ego’s, just lots of enthusiastic kids and parents doing what they do. The competitors start around 4-5 years up to the seniors around the 16-17 age group. We are well looked after by the hosts and have a fantastic rapport with both the organisers, adults and kids alike. We are already booked for the 2018 events and look forward to them as its just a fun set of weekends.

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Back in July this year I did a bit of work with the band Wayward Sons when I covered their first ever live gig down in Bristol. This had come about from my involvement with their promotional videos for the new album which can all be read about in an earlier post.

September saw them out supporting UFO on their 2017 UK Tour. One particular date, the 15th, was also the official release date for the album. Thinking it would be a good idea to capture that night I emailed Toby and he said thanks, yes, pop along and do your thing. The night was superb and in my personal opinion the Sons were head and shoulders above UFO in musical deliver and enthusiasm. The crowd were bouncing along to the music, which noticeably stopped once UFO had taken to the stage. The UFO set was slick and polished though I feel lacked a raw feel. I could honestly say that you could have listened to this on the radio as visually and engagement wise things were seriously lacking. To put it into context I was sat uploading and editing my images in the main hall area whilst they were on. Looked up a few times just to make sure things were still going when the music stopped.

On a working basis the Picturedome at Holmfirth is not actually too bad to work in. Yes it is compact though the fans are all stood on a sloping floor leading upend away from the stage. Tis allowed me to move up and down and simply shoot over the top of those in front of me. Non of the usual clamouring about to secure a gap between heads and phones which is nice. Setting were mediocre as though the lighting operator did give some light it wasn’t nearly as much as that given to the headline act. Thank the lord for full frame cameras and f2.8 lenses.

The night finished, I had a good chat with the band and then it was away home, still damp from sweating in the pit for a nice warm shower and bed.

The images from this event are behind a secured gallery and only for the band to see. Images from the gig will be released as and when they see fit which is sad in a way as I like to see my images out there in the wild. To stop any thieving radio stations or any other publications grabbing images of the band you’ll just have to put up with this montage again. Shame how people spoil things for others.

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The month was topped off with a visit to City Of Leeds Trampolining & Gymnastics to undertake a specific shoot of gymnasts who had qualified for a host of national and international competitions. With all new leotards the head coach wanted a series of portrait images taking to help promote the club within the Yorkshire region.

The whole thing took around 4hrs to complete and with a happy head coach, general coaches, kids and parents I headed home.

That was not quite the end though regarding this as we are returning in January to film a whole series of short films about the club, their offerings and what kids can expect to be doing if they join the club. Really looking forward to that.

This image was a fun pic taken after all the kids had individually paraded in each of their leotards for their portrait to be taken. I know from my school photo experiences this isn’t fun so when the coach suggested a pic in the foam pit, we ended up with this.

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I’ll try not to leave things too long before blogging our October exploits.

 

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When not on a commissioned job, or working in the studio and I actually have a weekend free I like to take a look at local motor racing circuits and see whats on. Usually there’s nothing of interest happening or the wife has something organised for us. Last weekend however my Saturday was free, yes totally free and with the VMCC holding one of their racing events at my local circuit Cadwell Park I was on my way.

I love Cadwell Park as the place is quite simply a superb circuit, non of the flat round and round places that are all too common these days. Full of hills and sweeping bends with the infamous mountain it ticks all the boxes for spectators and photographers alike. The VMCC events are totally open so you can have a good, unrestricted wander around looking at the machinery on show. The facilities are good, there’s always a burger van there for lunch and coffee which is reasonably priced and finally the toilets are clean and functional. There is a hospitality building, if that’s your Raceday thing, excellent access to a good 80% of the racing with just one small strip inaccessible. Official photography is exclusive to one chap, which I find odd for such a big place. Access to the prime spots is therefore a non starter, though there are plenty of places you can stand if the crowds aren’t too big. A nice 200-400 zoom or fixed 400mm 2.8 would create an even keel though as you could reach across to achieve those angles. Justifying the £8k spend to the wife would be a tad difficult though lol.

I enjoy this racing for two reasons. Firstly I rode motorbikes in my youth having range of Yamaha’s from 350cc through to 750cc over several years. Fabulous carefree times where the adrenaline rush of twisting a throttle and being catapulted down the road made my youthful brain buzz. Living in Germany for three years and having speed limit free autobahns made fun for modding the latter, bigger engined machines, and in the early 90’s and quieter roads having an absolute hoot out there. Secondly I love capturing motorsport and movement. Motorsport, like gymnastics, needs to have a perspective of movement. All of the top publications will show on track imagery with a sense of movement. This will be within the tires and spokes of the vehicles as nothing else really moves. A adjusting settings to continually provide this effect, coupled with some clever planning helps produce some lovely imagery. Doing this consistently to provide a gallery of the days events takes some skill. I see many online images that are simply awful in tat the bike has been shot at such a high speed it simply looks stationary. Not ideal when trying to provide that sense of movement.

I was actually approached by a group of men, from a local amateur photography club, who stated they were struggling with aperture speeds around the 1/1000th of a second. They had recognised my “Gear” and labelled me either Semi Pro or Pro so popped over for a chat. Lovely blokes, well mannered and respected the fact I was cracking on capturing the racing. In short they where simply after the fastest shutter speed they could grab to freeze the action. They almost had a seizure when I showed them a shutter speed under 1/250th sec. To put it simply they tried it, failed at the panning and surprisingly went back to high shutter speed, high ISO’s and medium apertures of F4+. Using stock kit lenses didn’t help their cause on flexibility but with the day being clear and bright they could easily capture imagery like mine with a bit of effort. Even under 1/250th and an ISO 100 gave me apertures of between f.35 – f11 through the day. Anyway they stayed at their super speed options as I came across them again when I moved to the chicane. Blasting away on high speed shutter with high speed apertures and ISO’s it was like they were shooting some rare, single moment, wildlife rather than repetitive circuit racing. Oh well.

All in all I had a fabulous day. The smell of 2 stroke oil in the air, rasping engines all blessed with some bright dry weather made things great. From traditional motorcycles to scooters, sidecars and the odd rare one off’s that survive into today an excellent day out for any petrolhead. A plus point, for me anyway, being that a few riders came to me for business cards made things worthwhile.

A couple of images from the day now follow. To see the entire days images see here 2017 VMCC Cadwell Park

A Norton, I believe..

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These sidecar guys are brave or a little unhinged or potentially both.

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A BSA Bantam in full flow.

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Equipment wise all images were captured using a Canon 5Diii with Canon 70-200mm IS ii zoom. Settings varied owing to location and light available but nothing shot over 1/250th sec thus portraying the speed involved.

Oh for one of those magic Media Passes to reach the prime shooting points 😂

This is something that I knocked together for the BSGA Schools Trampoline series and to advertise that we were covering the Northern Zonals along with the upcoming finals.

The young lady in the leotard is my daughter. The image of her in that pose was taken in the studio and then simply photoshopped onto the swirling galaxy image. Taken with her sat on a black sheet and with a black background the removal was easy to accomplish. With a couple of star burst or lens flares added to strategic places the image was good to go.

I could have taken far more care over this yet as it was only going online to social media and not being printed out I felt that the time making things perfect was not justified. Issues with the hair, feet etc could have been sorted to look a little more convincing but for something such as this is there a need?

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September saw the 4th round of the Uk Trampoline / DMT League take place in Newcastle. These events are huge and extremely demanding for us not only as a business yet also on a personal level.

The weekend starts a few days before with the preparation of online galleries being set up correctly and with coordinated passwords for guest access. Equipment checks follow with essentials such as all batteries receiving a last top up charge to ensure we at least have power. We drain at least 4 of the Canon LP-E6N’s each day depending on usage. Usage obviously varies depending on the amount of competitors which dictates how many clicks are required per day.

We aim to capture at least one present to the judges followed by as many of the 10 subsequent moves as possible or look good and then the final present at the end of the routine to the judges. This can provide a maximum of 12 images per competitor. Consider that every competitor does 2 routines and it becomes obvious that with a minimum of 400 competitors at an event we easily reach 10,000 images when podium images are included. Earlier in the year at Cardiff there were 800 competitors over the 2 days and we came away with some 15,000 images to process.

The weekend starts with a drive to the host city on the Friday evening where we have a pre-booked hotel for the 2 nights. If there is time we visit the venue and start our setup if possible. This saves us a little time on the Saturday morning yet as we have been doing this some time now we can set the desk up in some 10 minutes from bare tables to fully functioning sales desks.

The weekend then just steam rolls along taking us along with it. Photographers almost hold the 4.5kg of camera & lens to our faces for 9hrs straight. This can be extended if delays are incurred by competitors crashing out and requiring medical assistance. This has a massive effect on your arms and back which can start to stiffen by lunchtime. The Sunday becomes a mind over matter exercise with the pain that just doesn’t go away. The desk is a continuous queue of people wanting to view, and hopefully purchase the images taken. As Sunday ends for the photographers the desk continues to run. It can, and has, run on for over 2hrs after an event has finished. Still with a queue of parents waiting, the venue almost cleared and up to a 4hr drive in front of us every potential purchase is important so we stay. We arrive home late on the Sunday night, sometimes gone midnight, and after unloading the van its bedtime.

Monday, Tuesday, Wednesday and sometimes even Thursday are then solid editing and uploading of images to the respective galleries.Whilst most people understand the process I can guarantee at least 2 emails are sent on the Sunday, whilst we are still shooting the ongoing competition, asking what they can’t yet see any images in the gallery. We even place a notice at the start of every gallery notifying visitors of the process and yet they still email. Sometimes you just wonder how some people cope with life.

Once Friday arrives its simply time to check everything again if we have work on that upcoming weekend too. We are working almost every weekend of 2017 with just a few free or deliberately crossed off because of birthdays or holidays etc. You have to be busy to survive yet sometimes you just wish things would stop or at least slow down.

This particular weekend produced a reasonable 10,100 images which were edited by the Wednesday. With just one more qualifier to go in a few weeks time it’ll soon be the finals down at the Velodrome in London and thats a big one.

The images are simply what we post on social media to announce when certain panels and beds have completed galleries, though the second one just goes to prove that the competitors can still have time to enjoy themselves too.

You can read all about the league here – Trampoline / DMT League

All serious but with smiles –

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Having a bit of fun too or in one case how not to bounce –

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The weekend saw us cover boxing for the first time. A rather late booking, with just a weeks notice, with a remit to cover six charity bouts at the KC Stadium in Hull. The organiser had been given our details on a recommendation by an existing customer. He had allegedly been let down on previous occasions by other alleged professionals. Why someone would agree a fee and then not turn up still bemuses me. The evening went smoothly, without incident and we were paid, in full, before we left.

Whilst covering any sport is no problem for us the usual challenge is adequate lighting and this event proved no different. The room itself was huge and yet lit with nothing more than low wattage lighting. With a good % of this lighting not working it would have been beneficial to have taken half a dozen candles to ringside to double the rooms lumens output.

As with most sport photography, freezing the action is what provides the marketable/sellable image. My son and I had thrown a few mock air moves, to set up the cameras, and found that anything under 1/500th sec simply blurred. Our problem was that our 5Diii’s were bottoming out at f/2.8, 1/400th at ISO 12,000 with the 24-70 and 70-200mm we expected to use. Luckily we have a 50mm f/1.2 in our arsenal of lenses which gave at least one of us a fighting chance. At f/2 we hit an ISO of 5000 and at f/1.2 4000. The f/1.2 made things a little tricky if anything moved off the narrow focus plane and so the f/2 was used because of the negligibility in ISO quality. Whilst this denied my son the flexibility of a zoom the images would be of a better quality. I decided to fight with the 24-70 f/2.8 and adjust the underexposed images in PP.

This was certainly an event to push us technically yet without such challenges life could and would be boring.

One of the images from the evening is below.

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